
Sarah Perini, Simboli e Riti delle Donne Celtiche, Regine e Dee al tempo di Artù.
RIFERIMENTO ALLE FONTI DELL'OPERA:
INNANZITUTTO OCCORRE FARE UN RINGRAZIAMENTO ALL'UNIVERSITA' DEGLI STUDI DI TORINO,
FACOLTA' DI LETTERE E FILOSOFIA, CORSO DI STUDI IN LINGUE E LETTERATURE STRANIERE
E IN PARTICOLARE ALLA PROF.SSA ANNA BRAWER
ED ANCHE ALLA PROF.SSA LUCIANA PERCOVICH,
QUESTO TESTO FA INTERAMENTE RIFERIMENTO ALLA TESI DI LAUREA INTITOLATA:
MORGANA, GINEVRA, VIVIANA, ELAINE: L'EVOLUZIONE DELLA SIMBOLOGIA FEMMINILE
NEL CICLO ARTURIANO.
ANNO ACCADEMICO 2002/2003. (CONSULTABILE PRESSO GLI ARCHIVI DELL'UNIVERSITA' DEGLI STUDI DI TORINO - anno acc.03 matr.111502)
RICORDIAMO CHE SENZA LE OPERE DELLA
PROF.SA NORMA LORRE GOODRICH
QUESTO TESTO NON AVREBBE POTUTO VEDERE LA LUCE.
BIBLIOGRAFIA:
Testi Primari:
Sir Thomas Malory, Le Morthe d’Arthur, Introduzione di E. J. Bryan, 1994, Ed. Modern Library
William Caxton, Le Morte d’Arthur, H. Oskar Sommer, Ed. David Nutt London, 1889
The Works of Alfred Lord Tennyson , 1994, Wordsworth Poetry Library
Traduzioni Italiane:
Sir Thomas Malory, Storia di Re Artù e dei suoi Cavalieri, 1985, Ed. Mondatori
Saggi:
Norma Lorre Goodrich, Il Mito della Tavola Rotonda, 1989, Ed. Rusconi
Norma Lorre Goodrich, Il Mito di Merlino, 1989, Ed. Rusconi
Norma Lorre Goodrich, Il Mito di Ginevra, 1994, Ed. Rusconi
Norma Lorre Goodrich, Il Santo Graal: la storia vera oltre la leggenda, 1996, Ed Rusconi.
Opere di carattere generale:
Jessie Weston, From Ritual to Romance, 1993, Ed. Mythos
Jessie Weston, Indagine sul Santo Graal, 2005, Ed. Sellerio
Riane Eisler, Il Calice e la Spada, 1987, Pratiche Editrice
Riane Eisler, Il Piacere è Sacro, 1995, Ed. Frassinelli
Marija Gimbutas, Il Linguaggio della Dea, 1990, Ed. Neri Pozza
Barbara Walker, Woman Encyclopedia of Myths and Secrets, 1986, Harper Collins
A.V.V., Enciclopedia dei Simboli, 1989, Ed.Garzanti
Joan Marler, From the Realm of the Ancestors, 1997, edito da Joan Marler
Merlin Stone, The Morrigan in Ancient Mirrors of Womanhood, 1979, Beacon Press
Jane Harrison, Prolegomena to the Study of the Greek Religion, 1980, Ed. Merlin
Jane Harrison, Themis a Study of the Social Origins of Greek Religion, 1989, Ed. Merlin
James Frazer, Il Ramo d’Oro, 1997, Ed. Bollati Boringhieri
Robert Graves, La Dea Bianca, 1992, Ed. Adelphi
Vicki Noble, Il Risveglio della Dea, 2002, Ed. Tea Du
Luciana Percovich, Storie di Creazione: Immagini del Sacro Femminile, 2000, Ed. Libera Università delle Donne
Luciana Percovich, Mitologie del Divino: Immagini del Sacro Femminile, 2001, Ed. Libera Università delle Donne
Mary Condren, The Serpent and the Goddess, 1989, Ed. Harper and Row
A.A.V.V., I Celti, 1991, Ed. Bompiani
Anthony Duncan, La Cristianità Celtica, 1997, Ed.Mondadori
Alicia Craig Faxon, Dante Gabriel Rossetti, 1989, Ed. Idea Libri
S.William-J.Christian, Edward Burne Jones, 1999, Ed.The Metropolitan Museum of Art
Terry Hardin, The Pre-Raphaelites, inspiration from the past, 1996, Ed. Smithmark
Gabriele Crepaldi, Preraffaelliti, l'eleganza discreta dell'Ottocento inglese, 2000, Ed. Leonardo Arte
Maria Teresa Benedetti, I Preraffaelliti, 1999, Ed. Giunti
John Ruskin, Turner e i Prerafaeliti, 1992, Ed. Einaudi
Michael Zink, Litterature Francaise du Moyen Age, 1992, Ed. Presse Universitaire de France.
Franco Marenco (a cura di), Storia della civiltà letteraria inglese, Torino, Ed. Utet
A.A.V.V., The New Arthurian Encyclopedia, 1996, Updated Paperback Edition
Risorse Internet:
University of Rochester, The Camelot Project
David Nash Ford, Early British Kingdoms Biographies on Britannia
www.undiscoveredscotland.co.uk








NORMA LORRE GOODRICH
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With the patience of an archaeologist excavating an ancient site, writer Norma Lorre Goodrich spent years unearthing the story of King Arthur.
For centuries the story was thought to be a fable, with British roots and a powerful appeal to generations. But beneath the legend of Camelot and Queen Guinevere, the Knights of the Round Table and Lancelot, Ms. Goodrich discovered what she called the true story: King Arthur was not a myth but an actual person, born to a royal family. He did not live in Britain or Wales but in Scotland.
Though her findings clashed with years of scholarship and conventional wisdom, Ms. Goodrich was confident:
"Time to clean house in Camelot," she said when her book was published.
Ms. Goodrich, a prolific author and former professor at the University of Southern California and Claremont Colleges who surprised students and colleagues with her sometimes controversial discoveries, died Sept. 19 2006 of natural causes at her home in Claremont, Calif., said her personal assistant, Darin Stewart. She was 89.
In 45 years of teaching comparative literature and writing, Ms. Goodrich viewed writings not as staid, already discovered treasures but as dynamic works that kept yielding truths.
"Literature has the answers to the problems of our times," Ms. Goodrich told a Los Angeles Times reporter in 1967. "Young people study literature because they are looking for answers, and if they come for that reason, they're going to be writers."
Ms. Goodrich was born May 10, 1917, in Huntington, Vt. When she was 5, an aunt gave her a copy of Alfred Lord Tennyson's book "The Idylls of the King" and set her on a literary path. Ms. Goodrich graduated from the University of Vermont in 1938 with a bachelor's degree and continued her studies at universities in France, where she lived for many years and once owned and directed a school.
She married Joseph Lorre and the couple had a son, Jean-Joseph Lorre. They divorced in 1946. In 1965 she earned doctoral degrees in French and Roman philology from Columbia University.
Published in 1960, "Myths of the Hero" was one of her earliest explorations of myths from ancient and medieval times. In it she wrote, "The hero myth may be the one that has most influenced culture down the centuries." A Times critic called the myths as retold by Ms. Goodrich a "remarkable collection" that generates a sense of universal connectedness, a link with the heroic thrust in all men.
In 1964 Ms. Goodrich married John Hereford Howard and began teaching French and comparative literature at USC.
She continued a practice of writing a book a year, "always beginning her writing the day after Labor Day" said Stewart."
In 1971 she became dean of the faculty at Scripps College, a women's college in Claremont.
By 1986, Ms. Goodrich was professor emerita at the Claremont Colleges and had turned her attention to the legend of "King Arthur" after discovering a void in the scholarship: "All the books on Arthur have been on the mythology, the legend," she told a Times reporter then.
With the help of Mr. Howard, Ms. Goodrich spent years researching. During the summers the pair traveled to Scotland and followed routes laid out by ancient maps, unearthing the historical King Arthur. The feat was an exercise in detective work, piecing together clues from linguistics, archaeology, geography and anthropology.
Ms. Goodrich determined that King Arthur was an actual person who once lived in Scotland, not in southwestern England or Wales as others had postulated. Guinevere was a Pictish queen, and Lancelot was a Scottish king.
At the National Library in Paris, Goodrich read manuscripts dated from 1066 to 1399, including a manuscript written by Geoffrey of Monmouth. Monmouth listed the battles of Arthur not in Gaelic but in Latin. She translated the Latin back into Gaelic and made claims that the names coincided with places in Scotland. From this, she determined that King Arthur was an actual person who once lived in Scotland, not in southwestern England or Wales. Guinevere was a Pictish queen, and Lancelot was a Scottish king. The fact that her King Arthur findings contradicted those of other scholars did not trouble Goodrich.
In October 1990, she and her husband were knighted into British royalty.
Goodrich followed the book with related works on Merlin, Guinevere and the Holy Grail. In her 1994 work, "Heroines: Demigoddess, Prima Donna, Movie Star," Goodrich explores the women of operas, novels and screenplays.
As Sigurd Towrie stated, the validity of Goodrich's claims is a question that raises its head often in the Arthurian newsgroups. Goodrich joined the ranks years ago of the historical research authors out of grace with Arthurian scholars. She was controversial in her opinions and not well regarded, to the extent that her conclusions are not only queried as to their validity but sometimes derided. As Kim Headlee and others pointed out, she was not even given a mention in Lacy's The Arthurian Encyclopedia.
Every study into the real King Arthur must contain a degree of speculation, a detailed analysis combined with a synthesis of available sources. Goodrich claimed to address the problems from a language viewpoint and falls into the group of scholars that would place Arthur in Northern Britain. If you can struggle through her books with an open mind, you may find that she occasionally has flashes of insight. A number of her ideas are insightful and clever. Being a professor emeritus of French and comparative languages and the author of a number of other non-Arthurian books, she shows her strengths in the vast array of source material she draws on.
At least, the continued discussion of Goodrich shows that our search continues and is renewed by each generation. I would say, buy a selection of studies including Ashe, Morris, Alcock, Matthews, Turner, and Markale. Try to find translations of some of the Latin, French and Welsh sources.
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Her books include King Arthur, Merlin, Guinevere, Priestesses, Medieval Myths, Ancient Myths, and The Holy Grail:
King Arthur, Norma Lorre Goodrich, HarperCollins, December 1988, ISBN: 0060971827 Paperback, 416 pages
Merlin, Norma Lorre Goodrich, HarperCollins, December 1988, ISBN: 0060971835, Paperback, 400 pages
The Holy Grail, Norma Lorre Goodrich, Harperperennial Library, June 1993, ISBN: 0060922044, Paperback, 416 pages
Guinevere, Norma Lorre Goodrich, HarperCollins Publishers, June 1992, ISBN: 0060922923, Paperback, 288 pages
Priestesses, Norma Lorre Goodrich, Grolier Educational Associates, ISBN 0531151131, Paperback.